Eight Unreleased Military UAP Videos

ANAMORPHIS UAP Billowing Blob aka Archangel Michael

Eight previously unreleased U.S. military UAP clips featured in Jeremy Corbell’s documentary Sleeping Dog have begun circulating online. The footage consists of short excerpts — often displayed briefly on a laptop screen or in montages within the film — rather than official public releases. These clips form part of the 46 videos Congress has formally requested from the Department of War and Pentagon. Corbell and the filmmakers strategically included these excerpts (captured via FLIR, radar, and full-motion video) to build public pressure for full declassification, instead of dropping standalone versions themselves.

What makes the compilation especially unusual is not only the military source of the footage, but how some of the imagery is being interpreted. One clip in particular, the ANAMORPHIS UAP, briefly appears to form a humanoid-like silhouette as it moves out of frame. That moment has sparked comparisons to older religious and mythological images of warrior-like beings, including Archangel Michael, the heavenly protector often associated with light, battle, judgment, and guardianship of the skies.

ANAMORPHIS UAP: Billowing Blob aka Archangel Michael

The uploaded compilation appears to begin with the ANAMORPHIS UAP, a hovering, undulating, blob-like object captured on military radar or infrared systems. The object appears to change shape and billow while stationary or moving slowly, giving it a fluid, morphing appearance rather than the rigid outline of a conventional aircraft. Its movement and shape-shifting look have made it one of the stranger clips in the compilation.

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This brief moment in the ANAMORPHIS clip has gone viral on social media after Rep. Anna Paulina Luna posted a screenshot on X on May 16, 2026, prompting viewers to interpret the shifting outline as a humanoid warrior figure resembling traditional depictions of Archangel Michael.

As the ANAMORPHIS UAP exits the frame, the shifting outline briefly creates what appears to be a humanoid-like silhouette, particularly around the legs and torso area. For a moment, the object appears almost as if it is running or lunging toward the left side of the screen before disappearing. The fleeting figure-like appearance has been compared online to historical and religious depictions of Archangel Michael, who has traditionally been portrayed in religious art and scripture as a powerful humanoid warrior figure associated with light, movement, swords, and heavenly phenomena.

Archangel Michael is explicitly named five times in the Bible — primarily in the Book of Daniel (as “one of the chief princes” and protector of Israel), in Jude (as “the archangel”), and in Revelation (leading the heavenly armies against the dragon). In the Dead Sea Scrolls, he appears even more prominently as the “Prince of Light,” commander of the angelic hosts, and a central warrior figure in apocalyptic texts such as the War Scroll, where he leads the “Sons of Light” in the final cosmic battle against the forces of darkness.

FMV UAP: Color Orb or Sphere

The next major clip shows the FMV UAP, a small, vividly colored orb or sphere flying smoothly over mountainous terrain. It exhibits no visible means of propulsion, exhaust, or conventional flight characteristics. This version appears to offer higher color fidelity and clarity than many prior military UAP releases, making it one of the more visually striking clips shown in the documentary.

FORMATION UAP: Triangle Lights

The FORMATION UAP clip shows three lights moving in a coordinated triangular formation across the night sky. No obvious heat signature or propulsion is visible, and the objects appear to move in synchronization. A similar triangle formation was previously leaked in 2025, adding renewed interest and speculation around this particular clip.

Ocean Shadow Object

The Ocean Shadow Object segment shows three military vessels creating prominent wakes on the water while a dark object appears to outpace them. The object seems to cast a visible shadow on the ocean surface, suggesting that it may be flying at low altitude or interacting directly with the water. This clip stands out because it appears to show the object in relation to a clear surface reference point.

Wriggling Log UAPs

The Wriggling Log UAPs sequence shows a group of four log- or cigar-shaped objects that appear to squirm or wriggle at high speed across the night sky. No visible propulsion system or conventional flight surfaces can be seen. The unusual motion is what makes this clip especially hard to compare with ordinary aircraft or drones.

Orbs Near Aircraft, Sharp-Angle Maneuvers, and Additional Orbs

The remaining orb clips show small, brightly lit objects maneuvering near military or commercial aircraft and through clouds. Some appear to perform sharp-angle turns at high speed amongst the clouds, while others seem to display possible cloaking or stealth-like behavior. These segments are brief, often only seconds long, and are presented in a montage or on a laptop screen within the documentary for dramatic effect. Full uncut versions of these videos have not been released by Corbell or the filmmakers.

Corbell has emphasized that these clips represent “documented encounters with technology our military has filmed,” rather than simple lights in the sky. The footage aligns with broader congressional demands for transparency and arrives amid recent Pentagon and Trump administration-related UAP file releases that have intensified public interest in disclosure.

Across religious traditions, Michael is revered as the cosmic guardian, divine warrior, and protector of the skies: commander of heaven’s armies, defeater of darkness, and a being associated with light, justice, and intervention in times of crisis. Modern esoteric interpretations, including ancient astronaut theory, even propose he could represent (or command) a non-human intelligence safeguarding Earth’s airspace from multidimensional threats. Whether this military-captured anomaly is advanced technology, an interdimensional entity, or something that coincidentally evokes ancient archetypes of protection remains unknown. As more UAP material surfaces amid congressional demands and Pentagon releases, clips like these continue to blur the lines between high-strangeness phenomena, government secrecy, and humanity’s oldest spiritual narratives. This compilation serves as a compelling public teaser in the disclosure movement. The question of whether these objects represent advanced human, interdimensional, or even archetypal “guardian” intelligences will likely fuel debate for years to come.