Which of Rep. Anna Paulina Luna’s 46 Requested UAP Videos Appear in Jeremy Corbell’s Sleeping Dog?

Jeremy Corbell’s documentary Sleeping Dog has raised a simple question for UAP researchers: which of the 46 UAP videos requested by Rep. Anna Paulina Luna are shown in the film?

The honest answer is that we do not know for sure yet, but we may know soon if the movie delivers enough clear footage, labels, dates, or context for viewers to compare it against Luna’s list.

The film appears to show footage that lines up with several entries from Luna’s March 31, 2026 UAP video request. The strongest overlaps are formation footage, ocean or USO footage, and spherical orb footage. But no one has publicly confirmed the exact one-to-one matches yet. So the best we can do right now is make a careful, common-sense comparison using what has been reported.

That distinction matters. Sleeping Dog uses names such as “FMV UAP,” “ANAMORPHIS UAP,” and “FORMATION UAP.” Luna’s letter uses different public descriptions. So even when a match looks strong, it is still our best guess, not a confirmed ID.

Early reviews and interviews also show that Sleeping Dog is not structured as a simple evidence dump. The documentary follows Corbell’s path from martial arts instructor and jiu-jitsu teacher to one of the best-known figures in the modern UAP disclosure movement. It traces his work with George Knapp, his access to military-filmed footage, his contact with whistleblowers, and his role in bringing UAP material into public and congressional view.

That personal angle matters. Early coverage describes the film as a character-driven story about disclosure, risk, secrecy, stigma, and the human cost of pushing this subject into the open. Director Michael Lazovsky has framed the project as a way to humanize the UAP community and move beyond the old “tinfoil hat” stereotype. The film also draws from hundreds of hours of Corbell’s personal archive and includes figures such as George Knapp, Bob Lazar, John Lear, and others.

Several early features and interviews describe the film as unsettling because it is not only about strange footage. It is also about pressure, threats, surveillance, trust issues with sources, and the possibility that the film itself functions as a kind of public insurance if something happens to Corbell. That makes the eight videos important, but it also makes the bigger story around the videos just as important.

This question now sits inside a much larger disclosure moment.

On May 8, 2026, the Department of War released the first batch of UFO and UAP files through war.gov/ufo under PURSUE Release 01. That same day, Rep. Eric Burlison appeared on Fox News and described the release as only an opening step. He said he had seen more compelling videos that he believed were still moving through the declassification process.

Burlison specifically pointed to footage involving UAPs around Russian submarines and aircraft firing on some of these objects. He also warned that if the videos were not declassified, he might try to release them himself under speech and debate protections.

That is why Sleeping Dog matters right now. The documentary is not arriving in a vacuum. It lands directly after the first official PURSUE release, after Trump publicly framed the new UFO files as part of “Complete and Maximum Transparency,” and after Burlison suggested that stronger videos may still be held back.

Corbell’s eight featured clips now become part of the same public question. Are these some of the withheld videos Congress has been trying to force into the open?

PURSUE Release 1 also changes the frame. It is presented as a rolling, whole-of-government archive, not a one-time Pentagon dump. It includes material connected to the Department of War, the FBI, NASA, the Department of State, ODNI, DOE, AARO, and other intelligence components.

That means older flying-disc files, Apollo-era NASA records, State Department cables, modern FBI interviews, mission reports, range-fouler forms, infrared stills, and recent military UAP summaries are now being placed into one public archive.

That matters because Luna’s 46 requested videos are no longer floating by themselves. They now sit beside a government release that already contains recent military UAP reporting from 2020 through 2026. Those records include spherical objects, orb formations, possible UAP near aircraft, objects moving near water, infrared contacts, Persian Gulf and Arabian Sea reports, Syria and Iraq mission reports, and high-speed objects captured through routine military reporting channels.

That is the environment in which Sleeping Dog arrives.

In the days since the May 8 limited theatrical release and just ahead of the wider digital release on Amazon and Apple around May 12–13, no public source has assigned exact Luna-list numbers to the eight clips shown in Sleeping Dog.

What we have right now is a set of clues: the way the film clips are described, and the way the 46 videos are listed in Luna’s letter.

Luna’s letter requested 46 specific UAP videos. Those titles included formations, spherical objects, ocean or USO cases, aircraft encounters, drone-platform observations, and unusual radar-tracked objects. Corbell and Knapp have also been reported as helping prepare or shape the list of videos requested by Congress, which makes the overlap with Sleeping Dog even more important. They were already tied to public reporting around several major UAP videos, and Sleeping Dog appears to highlight some of the most visually striking clips connected to that broader withheld-footage discussion.

That leaves us doing the obvious thing: comparing the film descriptions against Luna’s official list and seeing where the wording lines up.

One useful comparison point is the Syrian UAP instant acceleration case from 2021. That clip was publicly released by Jeremy Corbell and George Knapp before Sleeping Dog and later appeared in Luna’s March 31, 2026 letter as item #2, “Syrian UAP instant acceleration, 2021.”

The first likely match is the film’s FORMATION UAP footage. It has been described as a triangle or coordinated formation of lights. This footage has also been discussed as material that surfaced publicly in 2025 before appearing in the broader Sleeping Dog conversation. Our best guess is that this lines up with Luna letter #1, “4 UAP formation – Iran, 8/26/22.” The formation wording is direct, and the Middle East setting fits the way this footage has been described.

The second likely match is the ocean or USO footage. In this clip, three unidentified military vessels appear near a dark object or shadow on or near the water. Our best guess is Luna letter #3, “UAP USO formation Wiley 2X Zinc.” The USO wording makes this one stand out because it points toward an object connected to the water, not just the sky.

The third likely match is the FMV UAP clip. It has been described as a full-colour flying sphere or orb over mountainous terrain with no visible propulsion. Our best guess is Luna letter #5, “Spherical UAP erratic movement remix (RUST), 2022.” Still, #5 looks like a strong fit for the reported colour orb footage.

The fourth likely match is the radar orb or small spherical object that appears to move quickly with no visible propulsion. Our best guess is that this belongs somewhere in the spherical cluster from Luna’s letter, especially #6, #7, #8, or #11. Those entries include “Spherical UAP over AFG,” “Spherical UAP pulsing over water,” “Spherical UAP in clouds,” and “Spherical UAP Warlock 4X.”

The fifth likely match is footage showing orbs near planes or moving sharply through clouds. This also looks like it belongs somewhere around #6, #7, #8, or #11. The cloud language points toward “Spherical UAP in clouds,” while the aircraft angle could overlap with other aviation-related entries.

The sixth likely match is ANAMORPHIS UAP. It has been described as a billowing or undulating blob-like object seen on military radar. Our best guess is #18 or another radar-tracked anomaly entry, but this is one of the shakier guesses.

The seventh likely match is the footage of four log-shaped objects squirming and wriggling across the night sky with no visible propulsion. This could connect to #1, #27, #45, or another multi-object formation entry in Luna’s letter. The problem is that “log-shaped” does not appear clearly in the public list.

The eighth likely match is additional aircraft or drone-related footage. This includes orbs near planes, sharp-angle movement, or high-speed cloud maneuvers. This could connect to Luna letter #22, #24, or similar entries involving MQ-9, EP-3, East China Sea, or other aircraft observations. Those entries make sense because aircraft-interaction footage appears throughout the later part of Luna’s list, but we do not have enough public detail to call one exact number.

One more entry deserves attention: Luna letter #45, “UFOs in formation over Persian Gulf.” This is another strong guess for the FORMATION UAP footage, especially if the film identifies the setting as the Persian Gulf. That means the formation footage in Sleeping Dog could point to #1, #45, or both, depending on whether the film includes more than one formation-style clip.

That is the key point. Sleeping Dog appears to show several clips that line up with Luna’s 46-video UAP request, but right now we are still working from best guesses.

Early reviews and film coverage still describe the footage at a high level without providing numbered Luna-letter matches. Historically, that is where the UAP disclosure fight now stands. The government has begun releasing records through PURSUE Release 1, Congress has formally asked for 46 specific UAP videos, Corbell and Knapp are showing some of the most talked-about footage through Sleeping Dog, and lawmakers like Burlison are already warning that stronger videos may still be withheld.

So the issue is no longer just whether unusual footage exists. The issue is whether the public can connect the footage, the filenames, the congressional requests, and the government archive into one clear record. If Sleeping Dog delivers enough visual detail, dates, locations, or labels, viewers may soon be able to compare the film directly against Luna’s 46-item list. If not, the next clearer answers may have to come from Corbell, Knapp, Luna’s office, the Weaponized podcast, or future PURSUE releases.

For now, we are standing in the middle of the transition: past the stage of rumours, but not yet at the stage of full public accounting.