Project Blue Beam

Serge Monast, a Canadian journalist and conspiracy theorist, gained notoriety in the 1990s for his elaborate theories about global conspiracies and the manipulation of the populace by governmental and non-governmental organizations. In 1994, he became widely known for his work titled “Project Blue Beam (NASA),” where he put forth a complex theory suggesting that NASA, purportedly in collaboration with the United Nations, aimed to establish a New Age religion with the Antichrist at its helm, leading to the inception of a New World Order. This, Monast claimed, would be achieved through a sophisticated technological simulation of the Second Coming of Christ, employing advanced holographic and sonic technologies to create a global optical illusion.

Following this, in 1995, Monast published “Les Protocoles de Toronto (6.6.6),” a work that drew inspiration from the controversial and document “The Protocols of the Elders of Zion.” In this publication, Monast alleged the existence of a Masonic group he referred to as “6.6.6,” which he claimed had been convening the world’s elites for two decades with the goal of ushering in the New World Order. According to Monast, this secretive group aimed to consolidate global power and manipulate individual minds through various means, including but not limited to, psychological warfare and media control.

The theory of Project Blue Beam originated in the 1990s, primarily propagated by Canadian journalist and conspiracy theorist Serge Monast. Another early proponent of the Project Blue Beam theory was Richard K. Theoreau. Proponents of the theory claim that the project aims to create a one-world government by using advanced technology to deceive the public into believing in a global threat, such as an extraterrestrial invasion or a religious event, thus justifying the need for a centralized authority to maintain order.

In theory, the Project Blue Beam would unfold in several stages, starting with possible earthquakes or other natural disasters to establish a sense of instability, followed by the appearance of religious figures or extraterrestrial beings in the sky, and culminating in the implementation of a new world religion and government.

This would be achieved by using advanced holographic and sound projection technology to create realistic and believable images and sounds in the sky, including holographic projections of religious figures or spacecraft.

In a 1993 interview, Serge Monast discussed a dossier he was working on regarding vaccines, military medicine, and experimental liquid crystals. He highlighted the urgency of health issues over concerns about the “Age of Aquarius” conspiracy, emphasizing the need to address pharmaceutical and medical manipulation of the population. Monast expressed frustration with journalists’ lack of in-depth investigation into vaccination campaigns and government secrecy surrounding health decisions. He mentioned contacting government officials and pharmaceutical companies for information, facing resistance and evasion. Monast also raised concerns about the potential dangers of combining certain vaccines and the use of liquid crystals for population control via satellite. He urged the public, especially young people, to be vigilant and proactive in protecting their health and questioning official narratives. Monast’s interview shed light on his efforts to uncover and expose perceived threats to public health and individual freedoms, despite facing challenges and skepticism from official sources and the media.

Serge Monast’s interview includes further details on his attempts to obtain information from government officials and pharmaceutical companies, encountering evasive responses and resistance. He also discusses his investigation into the connection between different vaccines and the potential risks of combining them, as well as his concerns about the use of liquid crystals for population control via satellite. Monast’s frustration with the lack of investigative journalism and his efforts to encourage public awareness and action against perceived threats to health and individual freedoms.

Some people believe that we are currently transitioning into the Age of Aquarius from the Age of Pisces. The Age of Aquarius is a term used in astrology to refer to a period of approximately 2,150 years. However, there is no universally agreed-upon start and end date for the Age of Aquarius, as different astrologers and scholars have varying interpretations. Astrological ages are based on the precession of the equinoxes, which is a slow and continuous astronomical phenomenon. Generally, it is associated with themes of progress, enlightenment, and societal change.

Serge Monast’s theories, posited that a global crisis could be leveraged to usher in increased governmental control and the application of technology for societal manipulation, themes that find echoes in the worldwide response to the COVID-19 pandemic. The pandemic, as a significant global crisis, precipitated unparalleled public health measures, resonating with Monast’s notion that crises could be exploited to augment governmental authority and modify societal norms. The deployment of vaccine passports and contact tracing technologies during the pandemic exemplifies Monast’s conjectures about the use of advanced technologies to surveil and regulate the populace. Moreover, the imposition of stay-at-home orders and the mandatory shutdown of businesses, while aimed at safeguarding public health, paralleled Monast’s narrative about the constriction of freedoms under the pretext of a loftier goal. The enactment of emergency powers by governments, which in some instances sidestepped conventional legislative procedures, mirrored the authoritarian drift Monast cautioned against. Furthermore, the pandemic’s atmosphere of fear and uncertainty fostered a level of public compliance and acceptance of governmental directives, a scenario that could be seen as a manifestation of Monast’s belief in the efficacy of orchestrated events to engender public acquiescence to enhanced state control.

Serge Monast’s work, particularly his theories surrounding global conspiracies and manipulations, can be seen as a precursor to the current surge in mistrust towards mainstream media and skepticism about government competence. Monast posited that powerful groups, including governments and global elites, were orchestrating events and narratives to control the population and push forward their agendas. This underlying theme of manipulation and control feeds directly into contemporary concerns about the reliability of information sources and the intentions behind government actions.

Monast’s theories, which often highlighted the use of technology and psychological tactics to influence public perception and behavior, reflect a deep-seated wariness of authoritative narratives. This skepticism towards ‘official’ sources and the belief in hidden agendas behind public policies can be linked to the current climate of distrust where alternative media sources and conspiracy theories frequently challenge mainstream media’s credibility and government narratives.

The notion that the media might be complicit in shaping narratives to serve specific interests resonates with Monast’s warnings about the power structures’ ability to manipulate reality to fit their objectives. The rise of social media and the internet has amplified these concerns, making Monast’s theories all the more relevant to those who feel marginalized or misled by traditional power structures and their channels of communication.

Monast’s life came to an abrupt end in December 1996, when he passed away in his home from a heart attack at the relatively young age of 51. His death has been a subject of speculation among his followers and conspiracy theorists, some of whom posit that it was related to his outspoken views and allegations against powerful global entities.

Recent advancements in technology have brought us closer to the capability to create highly realistic 3D holographic projections, a concept that aligns with the theoretical framework of Project Blue Beam as described by Serge Monast. Researchers have developed new methods that significantly enhance the quality and realism of 3D holograms. For instance, a new approach called three-dimensional scattering-assisted dynamic holography (3D-SDH) has been introduced, which can achieve a depth resolution more than three orders of magnitude greater than previous methods. This method allows for the projection of images with high pixel resolution onto closely spaced planes, creating a more convincing 3D effect by providing the necessary depth cues​​.

These technological advancements are not limited to static images but extend to dynamic 3D projections, enabling the creation of realistic-looking holographic displays of 3D objects. The use of a spatial light modulator (SLM) combined with a diffuser in this new method allows for the separation of multiple image planes by a much smaller amount without being constrained by the SLM’s properties. This setup, by suppressing crosstalk between planes and exploiting light scattering and wavefront shaping, enables ultrahigh-density 3D holographic projection​​.

Although these technologies are primarily developed for applications such as virtual reality and optical encryption, their existence suggests that the foundational technologies required for a project like Blue Beam are within reach. Staging a global event, as described in Project Blue Beam, although possible, would involve significant logistical, ethical, and legal challenges, far beyond the technical capabilities alone.

While the technology for highly realistic 3D holographic projections is advancing rapidly and could theoretically support large-scale illusions, the practical implementation of such a project on a global scale remains fraught with complex challenges.