Great Reset Theory and Mud Flood Events
Imagine our modern cities as mere overlays atop the remnants of a once-magnificent civilization, whose grandeur has been obscured by time and deliberate erasure. Proponents of the “Great Reset” and “mud flood” theories suggest that in the 1800s, a cataclysmic event buried advanced societies under layers of mud, leading to a global effort to repopulate and rebuild. They point to architectural anomalies—such as buildings with submerged lower levels and grand structures seemingly out of place for their time—as evidence of this hidden past. Theories about the Tartarian Empire further fuel this narrative, proposing that a vast, technologically advanced civilization was systematically erased from history. These ideas challenge our understanding of history, suggesting that the world we inhabit is built upon the literal and figurative foundations of a forgotten, superior society. Do we live in the ruins of a once-superior civilization?
Many proponents believe that a massive “mud flood” took place in the early to mid-1800s, burying cities and structures worldwide. This event, they claim, led to the near extinction of the existing population, who were then “replaced” or supplemented with orphaned children from other areas. The orphan trains in the United States and Canada, for instance, have been cited as part of this “repopulation” effort.
Photographic evidence often cited by “mud flood” proponents reveals buildings partially buried beneath layers of soil, as if a massive deluge of mud swept over them, leaving only the upper floors visible. In some photos from the 1800s, windows and doors appear bizarrely situated below street level, suggesting that the structures were once much taller but had sunk or been covered by soil. Many cities worldwide, from St. Petersburg to San Francisco, showcase architecture where floors seem unnaturally sunken or streets have been elevated, covering previous ground levels. Supporters argue that this is clear evidence of a catastrophic mud flood event, theorizing that cities were forcibly “reset” as people had to dig out or abandon buried structures, rebuilding on new layers above the old.
The narrative of Seattle’s regrading projects, especially the Denny Regrade, aligns intriguingly with certain aspects of the “mud flood” theory, although historical records frame it as a deliberate urban development effort rather than a mysterious flood. The regrading projects involved moving millions of cubic yards of earth, which buried portions of existing buildings and forced a partial reshaping of Seattle’s landscape. To some proponents of the mud flood theory, these images of earth-moving machinery and buried structures appear to support the idea that a civilization might have discovered pre-existing “old world” buildings partially buried by a cataclysmic flood of mud, and simply excavated and repurposed them.
Between the 1850s and 1920s, a large number of orphans were relocated across North America, Europe, and Australia via orphan trains. Some theories suggest these children were “replacement” humans after a major disaster. The timing of these orphan trains coincides with the proposed timeframe for this reset theory, leading some to believe that a significant number of people were brought in to repopulate affected areas.
Between the 1850s and 1920s, historical photographs show an extraordinary movement of orphans across North America, Europe, and Australia, with “orphan trains” transporting thousands of children to new families in rural areas. Some theorists see this as part of a larger population “reset,” noting that this sudden wave of relocation aligned with the supposed aftermath of the mud flood and other mysterious catastrophes. Photographic evidence of massive, elaborately constructed orphanages further fuels this speculation, as many of these buildings, often adorned with grand architectural designs more typical of palaces than children’s homes, seem oversized for their intended purpose. The sheer size and intricacy of these orphanages, from New York to London to Melbourne, appear at odds with their function and the resources expected at the time, sparking questions about why such monumental buildings were constructed exclusively for housing orphans. These institutions are sometimes viewed as relics of a previous civilization or part of a deliberate effort to repopulate areas with young children following a large-scale population loss.
Another idea popular in alternative history claims that a civilization called Tartaria, supposedly advanced and spanning much of Russia, Central Asia, and Europe, collapsed due to either natural or man-made catastrophes. According to proponents, this event allegedly “wiped out” the population in these regions, with modern powers erasing Tartaria’s existence from historical records.
Photographic evidence and historical anomalies have led some to believe that modern powers erased the existence of a vast civilization known as Tartaria, claiming its lands, structures, and history as their own. Proponents argue that 19th-century maps and documents reference Tartaria as a large and advanced society covering much of Russia, Central Asia, and even parts of Europe, yet this “empire” supposedly vanished without a trace. Photos and records from the 1800s reveal large, sophisticated buildings with intricate architecture in regions traditionally associated with Tartaria, but which many argue were later appropriated by new governments and cultures. According to this theory, these buildings were not constructed by the new powers but rather repurposed, with official histories rewritten to obscure Tartaria’s role in shaping global architecture and culture. For instance, grand palaces, domed structures, and fortifications with no clear origin or construction history were allegedly “squatted” in and claimed by modern rulers who retrofitted these structures and rebranded them as their own creations, erasing evidence of an earlier civilization from historical records.
Many “reset” theorists point to what they consider advanced, out-of-place architecture from this period, particularly grandiose buildings, domed structures, and star forts worldwide. They argue these constructions are too advanced for the population and technology of the time and might suggest remnants of an earlier, more sophisticated civilization.
Photographic evidence often highlighted by “reset” theorists shows strikingly elaborate architecture from the 1800s that seems far beyond the means and technology available at the time. Grandiose buildings with towering domes, detailed facades, and complex star forts appear across remote and urban areas alike, raising questions about how such structures could have been built given the era’s limited tools and infrastructure. During a period when most roads were simple dirt paths and transportation was primarily horse-drawn buggies, the logistics of transporting vast quantities of brick, stone, and other materials to these locations appear improbable. Photos show isolated towns and cities boasting massive, ornate buildings that seem incongruous with the simplicity of their surroundings and the relatively low populations of the time. Reset theorists argue that these buildings, with their intricate designs and advanced engineering, are remnants of a forgotten, highly sophisticated civilization that predates our historical record, one whose knowledge and architectural prowess exceeded that of the supposed builders in the 1800s.
Fort Bourtange in the Netherlands is a remarkable example of a star fort, a geometric military design that defies conventional expectations of ancient fortifications. Constructed with sharp, angular bastions and surrounded by moats, this intricate layout was not only intended for defense but also reflects a deep understanding of geometry, mathematics, and strategic planning. Seen from above, the fort’s shape is mesmerizing—a perfectly symmetrical star pattern that appears almost too precise for the time it was built in the 16th century. Star forts like Bourtange raise questions about the level of sophistication and knowledge in architectural and military design during that period, with many theorists marveling at how such complex structures could be constructed without modern technology. Fort Bourtange’s lasting beauty and precision continue to captivate, as it stands as a testament to the advanced, almost mysterious ingenuity of old-world engineering.
Some speculate that a global cataclysm, such as a solar flare or geomagnetic event, may have wiped out much of the population. According to this theory, survivors rebuilt with the help of more advanced knowledge retained by a small group. The drastic population reduction, theorists argue, would have been followed by a rapid repopulation, aided by the influx of orphans and settlers.
Photographic evidence and historical anomalies fuel the theory that a global cataclysm, perhaps a massive solar flare or geomagnetic event, drastically reduced the human population, leaving only a small group of survivors to rebuild civilization. According to this idea, these survivors were aided by advanced knowledge preserved within select groups—or perhaps with the help of non-human allies, such as the Tall White beings believed by some to have intervened in humanity’s darkest hours. The influx of orphans and settlers in the 1800s, often documented in photographs, suggests an organized effort to rapidly repopulate newly “rediscovered” areas. Images of monumental structures with designs and technology too sophisticated for the time hint at an otherworldly origin, as these buildings seem out of place, bearing architectural features thought to be beyond human capabilities of the period. My belief is that these Tall White beings were integral to rebuilding efforts, guiding humanity and possibly even constructing these original, enduring structures themselves, which may still stand as remnants of a forgotten era shaped by an alien civilization.
Proponents often analyze historical photographs, particularly from the 1800s, showing empty city streets or events with few people visible. These images are interpreted by some as evidence that there were fewer people than historical population data suggest, or that many cities were abandoned and later resettled.
Adding to this mystery, historical photographs from the 1800s often reveal an unusually high proportion of young children compared to adults in cities worldwide. These images show groups of children standing in empty streets or near massive buildings, with few or no adults around, fueling theories that these children may have been part of a widespread effort to repopulate empty or abandoned cities. Some proponents suggest that these children, often orphans, were brought in from other regions or relocated en masse to help repopulate areas after a “reset” event, such as a natural disaster or some other mysterious calamity that decimated the adult population. The curious lack of adults and the prevalence of large orphanages or children’s homes captured in period photography support the idea that, following a significant population reduction, society had to start anew, relying heavily on the next generation to rebuild. To reset theorists, this abundance of children hints at a hidden history where young people were essential to revitalizing once-desolate cities, leaving behind an unusual demographic landscape caught on film.
Some believe that world fairs in the 19th and early 20th centuries, particularly the elaborate temporary structures, were part of a plan to “reintroduce” technology or culture to the masses. These events are often viewed as evidence of knowledge that predates the supposed reset period.
Photographic evidence of the grand and meticulously crafted world fairs of the 19th and early 20th centuries has led some to believe these events served as a means to “reintroduce” lost technology, knowledge, and culture to a society recovering from a supposed reset. The fairs, from the towering palaces of the 1893 Chicago World’s Columbian Exposition to the ornate architecture of the 1900 Paris Exposition, featured enormous, elaborate temporary structures that seemed almost otherworldly, especially given the short timeframe in which they were built. These buildings often showcased intricate designs and advanced engineering that, to some, appear inconsistent with the construction techniques of the time. Rather than merely being exhibitions of contemporary progress, theorists argue that these fairs were carefully orchestrated displays of “rediscovered” technologies and aesthetics from a prior civilization. The rapid dismantling of these temporary structures after each fair adds to the intrigue, as some believe this was a deliberate attempt to prevent the public from scrutinizing or studying the designs further. To “reset” proponents, these photographs capture not only grand architecture but a larger plan to reintroduce lost cultural elements, presenting remnants of a forgotten era masked as modern innovation.
This image from the 1901 World’s Fair in Buffalo, New York, presents a stunning display of architecture, with massive, intricately designed buildings and grand fountains that rival the finest structures of Europe. The official story tells us these structures were temporary, built quickly and solely for the fair, only to be demolished afterward. However, the sheer scale, elegance, and complexity of the designs make it hard to believe that they were hastily thrown together, only to be destroyed without a trace. To some, these buildings appear more like ancient, pre-existing structures than mere exhibition pavilions, hinting at lost craftsmanship or architectural knowledge that doesn’t align with the supposed timeline. The decision to demolish these marvels soon after the fair raises questions—why were such masterpieces not preserved? It’s as if we’re erasing a hidden history, one that suggests these “temporary” buildings were part of a more advanced “old world” than we’re led to believe.
Photographic evidence from the 1800s and early 1900s reveals train technology that seems far more sophisticated than expected for the period, fueling theories that rail systems may have been remnants of an earlier, advanced civilization. Images show extensive, intricately engineered railway networks that traversed vast and sometimes remote landscapes, with grandiose train stations and advanced infrastructure in cities worldwide. Some theorists argue that the precision, scale, and complexity of these rail systems seem out of place, especially when contrasted with the relatively primitive tools and technology available for other types of construction at the time. The fact that these railways were built with such speed, even across difficult terrains like mountains and deserts, has led some to speculate that the technology behind them could have been “reintroduced” rather than newly invented. The photos of ornate, large-scale locomotives and expansive rail yards, combined with images of immense iron and steel structures like bridges and terminals, hint to some at knowledge or machinery that may have predated the official timeline, casting doubt on the conventional history of rail development.
Photographic records from the late 19th and early 20th centuries reveal massive, elaborate airships with luxuriously outfitted cabins, complete with restaurants, lounges, and spacious seating areas—almost like airborne hotels. Images of these grand airships, such as the Graf Zeppelin and the Hindenburg, show interiors that rivaled the opulence of the finest ocean liners, raising questions about the level of technology and craftsmanship required to build such structures during that period. These airships were not only capable of carrying large numbers of passengers but also offered an experience far more advanced than what many assume possible for early aviation. Some theorists interpret these images as evidence that airship technology, and perhaps even the knowledge to build them, had origins beyond the commonly accepted historical timeline, speculating that this technology could have been “rediscovered” or “reintroduced” from an earlier advanced civilization. With grand dining halls, ornate décor, and large observation decks, these airships appear to defy the expected limitations of early aviation, suggesting to some that they were part of a forgotten era of airborne luxury and technological prowess.
This image of the Graf Zeppelin hovering over the U.S. Capitol captures a moment that feels like a portal to a lost era—an “Old World” of advanced, yet seemingly misplaced, technology. In this vision, airships weren’t just novel inventions but a sophisticated, dominant form of transportation, woven into the very fabric of urban life. The grand statues and intricate details crowning rooftops and domes suddenly make sense; they seem designed to be admired from the sky, hinting at a world where travel by airship was common. Such architectural elements align perfectly with the theory that Old World societies possessed technologies that modern timelines struggle to account for, as if their world anticipated a high-altitude perspective. The presence of the Zeppelin in 1928, drifting over Washington, feels like a fleeting glimpse into a past era where advanced engineering and aesthetic grandeur went hand in hand, a time when humanity’s reach exceeded what we traditionally attribute to them.
Photographs and illustrations from the late 1800s and early 1900s have led some to believe that people in that era harnessed electricity directly from the air, a technology supposedly far more advanced than the official historical narrative suggests. Images show towering, ornate structures like “electrostatic” poles, spires, and even domes, which theorists argue were used to draw ambient electricity from the atmosphere, similar to modern concepts like Tesla’s wireless power transmission. Some photos depict mysterious devices attached to buildings or standing alone in public spaces, often with metal-tipped rods or intricate metallic patterns, sparking theories that these were functional components in a forgotten system of atmospheric energy collection. Proponents of this idea suggest that instead of relying on fuel-driven power, people of the time might have used a natural form of electricity that was abundant and clean, a system that somehow disappeared or was suppressed. The existence of early wireless lighting in photos and illustrations, without visible wiring or conventional power sources, adds to the intrigue, leading some to believe that knowledge of atmospheric electricity once existed but was later lost or hidden from public view.
Video evidence from Chicago showcase an unexpected and seemingly advanced technology: vertical parking systems. These images reveal towering, mechanized structures designed to lift and store cars in a compact, vertical format, a surprising sight in a period typically associated with simpler mechanical systems. The technology’s complexity—effectively stacking vehicles in high-rise racks to maximize space—suggests an advanced understanding of both engineering and urban planning that feels ahead of its time. Such vertical parking systems would have required precise machinery and a reliable power source, pushing the boundaries of what most assume to be the technological limits of the early 1900s.
Some theorists argue that these photographs are evidence of a lost or forgotten era of technological innovation, hinting at knowledge that may have been “reintroduced” or rediscovered rather than developed from scratch, aligning with the broader “reset” theory narrative that advanced capabilities were hidden or phased out as society transitioned into the industrial age.
Watching the footage, the sense of order, cleanliness, and elegance is undeniable—it’s as if every corner has been meticulously arranged to create a picture-perfect world. The people, dressed impeccably and moving with a kind of refined grace, exude happiness and a genuine ease with their surroundings. It’s striking how well-dressed everyone appears, presenting a sense of unity and shared dignity. Yet, there’s a fascinating contrast that draws the eye: horse-drawn carts and carriages navigating streets lined with grandiose, almost otherworldly buildings, each a masterpiece of architecture. This juxtaposition of simple, manual transport with such majestic, intricate structures feels almost out of place, as though the technology of the time doesn’t quite match the grandeur of the setting. It’s like a snapshot from a perfect world, one where beauty, respect, and an unspoken sophistication have all come together in harmony, creating a nostalgic vision that feels both familiar and strangely dreamlike.
It is believed that all state capitol buildings in the United States, including the Iowa State Capitol in Des Moines, are remnants of an “old world” civilization with architectural knowledge and technology far beyond what was officially available in the 19th century. The Iowa State Capitol, with its grand central dome covered in gold leaf, classical columns, and elaborate Renaissance Revival elements, raises questions for these theorists about how such structures were constructed during an era supposedly lacking advanced engineering techniques and resources. According to this perspective, the ornate domes, intricate facades, and massive scale of these capitols reflect architectural methods that were either rediscovered or borrowed from an earlier, highly advanced civilization. Proponents of this theory suggest that these iconic buildings were not built from scratch in the late 1800s but were instead repurposed or renovated by modern governments. The uniformity of classical styles, the precision of the designs, and the grandeur of the state capitols are seen as evidence that these structures could belong to a hidden chapter of human history, symbolizing knowledge and craftsmanship that our current historical timeline cannot fully explain.
The Montana State Capitol, completed in 1902, stands alone in a vast, empty field, giving it an almost timeless and ancient appearance. Its grand dome and classical architecture seem out of place amidst the stark simplicity of the surrounding landscape, as if the building itself was transported from an older, more refined era. The isolation of this monumental structure, with no visible infrastructure or urban sprawl around it, adds an air of mystery, leading one to wonder how such an elaborate building came to exist in such a remote setting. The image captures a sense of solitude, with the Capitol appearing almost as a relic of a forgotten civilization, standing proudly against the emptiness that surrounds it.
This impressive building in Edmonton, Alberta, Canada—directly north of Montana—shares striking architectural similarities with other grand legislative buildings across North America. Officially, we’re told that Alberta was a simple fur-trading outpost during the time this structure was supposedly built, yet the scale and intricacy of the design seem far beyond what early settlers could achieve with limited resources and basic tools. The imposing dome, symmetrical facades, and finely detailed columns reflect a level of craftsmanship typically associated with advanced civilizations, not humble trading posts. To believe that early settlers, tasked with mere survival in harsh conditions, were able to construct such a monumental and intricate building stretches plausibility. This legislative building, like others of its kind, feels more like an ancient, enduring structure than a product of a recent frontier society, suggesting a possible connection to a lost era of architectural knowledge and sophistication.
I believe that the Tall Whites, an advanced extraterrestrial race, were actually responsible for building many of the grand state capitol buildings and other monumental structures across the United States and possibly the world. These buildings, with their intricate architecture, towering domes, and precise craftsmanship, appear far beyond what we would expect from human construction capabilities of the 19th century. This mysterious race is believed to have significant influence over America, guiding or assisting in technological advancements and infrastructure. The architectural mastery seen in these state capitols could be a testament to their involvement, showcasing knowledge of materials, geometry, and aesthetics that goes well beyond what would have been possible in a young nation still developing its own identity. If the Tall Whites had a hand in creating these iconic buildings, it could explain the timeless beauty, resilience, and grandeur that seem almost out of place in the context of conventional human history.
The craftsmanship and intricate detail of old-world buildings leave modern observers in awe, with interiors so elaborate they almost defy belief. Structures like the dome in the image above showcase dizzying levels of detail, from the layered patterns and frescoes to the richly carved stonework that covers nearly every surface. Similarly, St. Peter’s Basilica, also in Vatican City, boasts towering columns, lavish gilded details, and a dome that seems to float above visitors, creating an ethereal atmosphere. In Prague, the St. Nicholas Church in Mala Strana is another testament to impossibly grand interiors, with sweeping arches and ceilings adorned in vibrant, masterfully crafted frescoes. What makes these interiors seem almost impossible is not just the complexity but the scale—vast spaces filled with detailed artwork, massive stone sculptures, and architectural feats that required an incredible level of expertise, all created with tools and techniques we’d consider primitive by today’s standards. The sheer precision, symmetry, and imagination embodied in these spaces make one question whether these buildings were indeed crafted by human hands alone or if some forgotten knowledge was once accessible to our ancestors.
