Belgian UFO Wave
The “Belgian UFO Wave” refers to a series of remarkable UFO sightings that occurred in Belgium between November 1989 and April 1990. Widely regarded as one of the most significant and well-documented mass UFO sighting events in modern history, it captivated the attention of enthusiasts, researchers, and the general public worldwide.
This wave of sightings began on November 29, 1989, when two police officers in the city of Eupen, near Belgium’s border with Germany, reported witnessing a large, triangular object with bright lights moving silently across the night sky. Over the following months, hundreds of similar reports emerged from across the country. Witnesses described triangular-shaped crafts, often accompanied by unusual lights, a lack of sound, and advanced maneuvers. Some even claimed experiences of loud noises or missing time, further adding to the intrigue surrounding these encounters.
What made the Belgian UFO Wave particularly compelling was the credibility of the witnesses. Reports came from police officers, military personnel, and aviation experts, lending significant weight to the accounts. Many described the triangular crafts as being larger than any known aircraft, capable of astonishing speeds and maneuvers that seemed beyond the capabilities of terrestrial technology. Remarkably, these objects often moved in complete silence, despite their size and apparent power, suggesting they were under intelligent control.
In response to the growing reports and public concern, the Belgian government initiated an official investigation. The Gendarmerie Nationale, a task force composed of police, military, and aviation specialists, was tasked with probing the sightings. Over several months, they gathered witness testimonies, analyzed evidence, and consulted experts in an attempt to uncover the truth.
One of the investigation’s most striking findings was the consistency of the witnesses’ descriptions. Despite the sightings occurring across a wide geographic area and involving individuals with no connection to one another, the accounts shared remarkable similarities. Witnesses consistently reported seeing triangular crafts with specific light patterns, moving at incredible speeds and displaying advanced maneuverability. This coherence was interpreted by many as evidence that the sightings involved real, physical objects rather than illusions or misidentifications.
Another crucial aspect of the investigation was its inability to provide conventional explanations for the phenomena. Despite extensive efforts to identify natural or man-made causes, the task force found no satisfactory answers. The lack of credible explanations further fueled speculation that the events represented something extraordinary—possibly evidence of extraterrestrial technology or highly advanced, undisclosed military craft.
The wave reached its peak on March 30, 1990, when radar operators at a Belgian airbase tracked an unidentified craft performing maneuvers that defied known aerodynamics. Fighter jets were scrambled, but pilots struggled to maintain visual contact, as the craft seemed capable of accelerating and changing direction at astonishing speeds. This event, corroborated by radar data, became one of the most famous incidents of the wave.
The “Petit-Rechain photo” has long been a symbol of the Belgian UFO Wave, a series of triangular UFO sightings that captured global attention between November 1989 and April 1990. The image, taken in April 1990, depicted a black triangular craft with lights at its corners and was widely publicized as evidence of UFO activity. For over two decades, it was regarded as one of the most compelling visual proofs of unidentified aerial phenomena (UAPs).
In 2011, the photo was debunked when the photographer, Patrick Maréchal, claimed it was a hoax. He stated that he had constructed the object using a painted styrofoam model with embedded lights, which he then photographed to create the illusion of a UFO. The timing of this revelation coincided with the release of Leslie Kean’s influential book on UFOs, which included a chapter discussing the Belgian UFO Wave and the Petit-Rechain image. This admission was widely accepted at the time and was seen as a significant blow to the credibility of the photograph, though it did not diminish the broader mystery of the sightings during the wave.
However, in a surprising turn of events in July 2022, Patrick Maréchal reportedly reversed his stance. According to communications between Maréchal and Roger Stankovic, Maréchal claimed that his 2011 debunking was fabricated under duress. He allegedly stated that he had been paid a substantial amount of money to declare the photo a hoax, aligning his statement with the release of Leslie Kean’s book. Stankovic, who communicated with Maréchal via Google Translate from French to English, noted that while some of the phrasing was difficult to interpret, the photographer clearly insisted that the photograph was genuine and not staged.
These new claims have reignited interest in the Petit-Rechain photo, raising questions about the credibility of the original debunking and whether external pressures influenced Maréchal’s 2011 confession. If true, this revelation would restore the photo’s status as a potentially significant piece of evidence in the study of UAPs, tying it back to the broader mystery of the Belgian UFO Wave.
The evolving narrative surrounding the Petit-Rechain photo underscores the challenges of evaluating evidence in UFO investigations, where conflicting testimonies and external factors often muddy the waters.
My communications with Patrick Marechal, the photographer of the Belgian Triangle UFO in 1990. He is using Google translate from French to English making a little hard to follow however, he clearly is stating that the photo is real, and he was paid to debunk it pic.twitter.com/GccWHVtziD
— Roger Stankovic (@RogerStankovic) December 1, 2024
Further to my previous post on the Petit Rechain photograph: Here is an interview between physicist Auguste Meessen, and Patrick Marechal, where Meessen is arguing the point that the photo could not have been hoaxed from the alleged model that Marechal used. #Ufox #UAPx #Uap pic.twitter.com/xMIiLMBhXv
— Roger Stankovic (@RogerStankovic) December 8, 2024
Roger Stankovic recently shared an intriguing glimpse into an original 35mm slide, a photographic format widely used before the digital age, where images are captured on small pieces of film enclosed within a cardboard or plastic mount. The slide, when held up against ambient light, clearly reveals the shape of what appears to be a craft, offering a striking visual detail that is both sharp and evocative. Stankovic showcased both the front and back of the slide, emphasizing its authenticity and the unaltered nature of the image. For those unfamiliar, a 35mm slide represents an analog medium that preserves high-quality photographic details, often used for archival purposes or projection. This tangible evidence is a rare find in the modern era, lending weight to the visual documentation of the mysterious object.
Triangular UFOs, like the one described in the “Petit-Rechain photo,” have been photographed in other locations, including a black triangle UFO near Catalina Island, a region known for frequent reports of unidentified aerial phenomena. Recent revelations from the “Immaculate Constellation” program have highlighted infrared images of UAPs, reigniting interest in past sightings. The area, which has historical ties to other mysterious encounters, continues to be a focal point for UFO researchers. Proximity to other hotspots, such as Guadalupe Island, suggests potential connections between these incidents.
The photograph of the black triangular craft from the Belgian UFO wave could connect to claims about the TR-3B Aurora and the Pentagon program “Immaculate Constellation,” as described in detailed accounts from both witnesses and whistleblowers like Michael Shellenberger. The TR-3B Aurora is rumored to be a highly advanced anti-gravity spacecraft incorporating a triangular design, utilizing propulsion systems based on reverse-engineered extraterrestrial technology. Reports suggest it is capable of near-silent operation, extraordinary speeds, and space travel—capabilities closely matching descriptions of craft seen during the Belgian sightings.
Michael Shellenberger’s revelations about the “Immaculate Constellation” program further highlight the Pentagon’s alleged efforts to study, conceal, and potentially replicate unidentified aerial phenomena (UAPs), including triangular craft. This program, as per disclosed testimonies, is said to involve deep secrecy, with projects aiming to analyze and weaponize advanced technologies. The description of black triangles, like the TR-3B, aligns with sightings globally, suggesting a possible link between observed UAPs and highly classified military projects.
The similarities between these triangular objects—such as their advanced maneuverability, glowing lights, and silent operation—and the claims surrounding the TR-3B lend weight to the theory that some UAPs are not extraterrestrial crafts but advanced human-engineered vehicles. Whether influenced by direct extraterrestrial collaboration, reverse engineering, or independent breakthroughs, these triangular craft continue to provoke significant debate. The Belgian photograph may symbolize the intersection of public sightings and covert aerospace innovation. More details can be found on TR-3B Aurora Anti-Gravity Spacecraft and the Pentagon’s Immaculate Constellation report.
The Belgian UFO Wave of 1989-1990 remains one of the most extensively documented and widely discussed series of sightings in ufology. Central to these events is the iconic Petit Rechain photograph, which depicts a triangular craft with lights at each corner. The craft was also photograph by J.S. Henrardi on June 15, 1990, in Wallonia, Belgium, that offers an equally significant perspective on these mysterious events. Henrardi’s photo closely resembles the Petit Rechain image, showcasing another triangular craft with distinctive lights at its vertices. Unlike the Petit Rechain photograph, which was initially shrouded in secrecy regarding its origins, Henrardi released all copyright ownership of his image in 2003, allowing it to be widely shared.
The striking similarity between the two images, combined with the testimonies of hundreds of witnesses who reported seeing similar triangular objects in the skies over Belgium, reinforces the credibility of the sightings. Henrardi’s contribution stands as a critical piece of evidence in understanding the scope and consistency of the Belgian UFO Wave.
